Figaro
In 2007 I took on the comic role of Fanchette in a modern version of 'The Marriage of Figaro', produced by Act Provocateur and performed at their theatrical base 'The Lion and Unicorn' in North London.
Read moreCatchy
Summer ’06 saw me joining the cast of the new musical ‘Catchy!’ which was produced by Total Beast and performed at Bedlam Theatre throughout the 2006 Edinburgh Fringe Festival. A bawdy comedy set in mid-1660’s plague-time London, the show charts the story of a pair of star-crossed lovers who fall for each other over the body-collecting cart. A classic comic plot ensues as the lovers try to thwart the evil intentions of the girl’s father, the Mayor of London, who intends her marriage to diarist Samuel Pepys as part of a wider plot to burn down London town and build his and Christopher Wren’s vision of a new city!
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The Poison Maker
From 31st January to 18th February 2006 I played Margaret Tegg in the Alchemy Theatre Company’s production of ‘The Poison Maker’. Performed at the Old Red Lion Theatre in Islington and based on a true story, it was a dark yet comic period piece which involved two families emotionally bound together by unrequited love. Read more
Land of Oz
In December 2005 I played the role of Dorothy in the Pyramid Productions panto ‘Land of Oz’, which toured during the festive season to schools and social clubs around London and the Home Counties. Read more
DSL Showcase
September 2005 saw us all returning to DSL to rehearse for the graduate showcase, which was performed on 4th October 2005 at The Venue in Leicester Square. My group chose an extract from ‘Loveplay’ by Moira Buffini, which was first performed by the RSC in 2001. Read more
The Bright and Bold Design
I finished my year at Drama Studio London with a great role; Jessie Frost in Peter Whelan’s ‘The Bright and Bold Design’. She was an intriguing character to play; a strong and capable young woman in many ways yet with a fragility that she couldn’t escape. Read more
Drama Studio London
In August 2004 I began my training at Drama Studio London, and spent the next year learning as much as I could from the school’s knowledgeable and inspiring tutors. It was a practical training, which focused not only on acting for the stage, but also for TV, commercials and radio, as well as storytelling, role-play and drama for business. Classes included the core subjects of voice, movement, singing, dance, improvisation and text analysis, as well as stage combat, theatre history, stagecraft, accents, physical theatre, period movement, audition technique, and character. Read more